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FINEST PAINT & WALLPAPER BRANDS IN IRELAND
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Little Greene

Little Greene is an independent, British paint and wallpaper manufacturer, committed to the socially and environmentally responsible production of high quality paints and wallpapers.With records dating back to the year 1773, the Little Greene Dye Works of Collyhurst Wood, on the outskirts of Manchester is one of England’s most ancient industrial sites for the making of paints and dye solutions. They incorporate many of the materials used in the past for the preparation of the very high quality paints they make today.


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  • Originally produced as a design on fabric, the larger scale production of this classic 19th Century stripe was a natural development from the early ?open trough? printing method referred to in ?Broad Stripe?. Its name is taken from the Regency fashion of hanging fabrics in a room to create a ?tented? effect.
  • Faithfully reproduced, but increased in scale, from a fabulous English Heritage piece, this historical panorama of the capital was published by The London Illustrated News in 1851. This hand drawn, hand painted scene depicts the buildings and landscape along the River Thames at the time and has been remastered to include a repeating section meaning it can be hung on any size wall. The original would have been shown at cornice height, but in rooms of a more normal scale, it has been created to sit comfortably at dado or skirting height as well.
  • Originally produced as a design on fabric, the larger scale production of this classic 19th Century stripe was a natural development from the early ?open trough? printing method referred to in ?Broad Stripe?. Its name is taken from the Regency fashion of hanging fabrics in a room to create a ?tented? effect.
  • Originally produced as a design on fabric, the larger scale production of this classic 19th Century stripe was a natural development from the early ?open trough? printing method referred to in ?Broad Stripe?. Its name is taken from the Regency fashion of hanging fabrics in a room to create a ?tented? effect.
  • Originally produced as a design on fabric, the larger scale production of this classic 19th Century stripe was a natural development from the early ?open trough? printing method referred to in ?Broad Stripe?. Its name is taken from the Regency fashion of hanging fabrics in a room to create a ?tented? effect.
  • Another Twentieth Century stripe, each of these papers contains a judicious balance of six tightly packed colours, giving each an overall theme and several opportunities for picking out painted walls and trim. Inspired by the way designers would ?tag? colours together in referencing interior design schemes, and inherently close to the way colours were handled by fashion.
  • Another Twentieth Century stripe, each of these papers contains a judicious balance of six tightly packed colours, giving each an overall theme and several opportunities for picking out painted walls and trim. Inspired by the way designers would ?tag? colours together in referencing interior design schemes, and inherently close to the way colours were handled by fashion.
  • Another Twentieth Century stripe, each of these papers contains a judicious balance of six tightly packed colours, giving each an overall theme and several opportunities for picking out painted walls and trim. Inspired by the way designers would ?tag? colours together in referencing interior design schemes, and inherently close to the way colours were handled by fashion.
  • A faithful reproduction of an historic French wallpaper. Perhaps surprisingly, the original hails from 1830 and was printed in a bold combination of yellow and pink. Particular attention is paid to the paint reticulation (also known as the seaweed effect) evident within the printed spot element, in giving orientation ? there is a right way up and wrong way up for this paper to be hung.
  • Another Twentieth Century stripe, each of these papers contains a judicious balance of six tightly packed colours, giving each an overall theme and several opportunities for picking out painted walls and trim. Inspired by the way designers would ?tag? colours together in referencing interior design schemes, and inherently close to the way colours were handled by fashion.
  • A faithful reproduction of an historic French wallpaper. Perhaps surprisingly, the original hails from 1830 and was printed in a bold combination of yellow and pink. Particular attention is paid to the paint reticulation (also known as the seaweed effect) evident within the printed spot element, in giving orientation ? there is a right way up and wrong way up for this paper to be hung.
  • A faithful reproduction of an historic French wallpaper. Perhaps surprisingly, the original hails from 1830 and was printed in a bold combination of yellow and pink. Particular attention is paid to the paint reticulation (also known as the seaweed effect) evident within the printed spot element, in giving orientation ? there is a right way up and wrong way up for this paper to be hung.

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